从审视封建到利用传统——新启蒙运动对传统文化的容受与推演  

From Examining Feudalism to Using Tradition——The New Enlightenment Movement’s Tolerance and Deduction of Traditional Culture

作　　者：黄延敏 朱航正 Huang Yanmin;Zhu Hangzheng

机构地区：[1]首都师范大学马克思主义学院 [2]中共中央党校党的建设教研部

出　　处：《政治思想史》2022年第3期64-77,198,共15页Journal of the History of Political Thought

基　　金：国家社会科学基金重大项目“中国共产党与传统文化关系的百年历史考察与经验研究”(项目编号:18ZDA010);教育部高校示范马克思主义学院和优秀教学科研团队建设项目(重点选题)“‘中国近现代史纲要’专题教学指南研究”(项目编号:2018JDSZK015)的阶段性成果。

摘　　要：本位文化讨论使传统文化的价值问题受到关注,是催生新启蒙运动的重要事件。在回应国民党右翼分子抵制新启蒙运动的过程中,中国共产党及左翼知识界开始容受中国悠久历史中宝贵的文化资源。全面抗战爆发后,运动重心转向文艺大众化,启发民众抗战意识成为该运动的主题。知识分子接触与改造旧形式的过程中衍生出了“文艺民族形式”的论争,使传统文化的“新旧之争”再次引起讨论。此时,毛泽东提出了新民主主义文化观,形成了正确审视传统文化的辩证视角,代替了新启蒙运动的文化主张,成为之后新民主主义文化建设的指南。The discussion of standard culture drew attention from the value of traditional culture and was an important event that spawned the New Enlightenment Movement. In response to the Kuomintang right-wingers’ resistance to the New Enlightenment Movement,the CCP and left-wing intellectuals began to tolerate the precious cultural resources of China’s long history. After the outbreak of the Anti-Japanese War,the focus of the movement shifted to the popularization of literature and art,and the inspiration people’s awareness of the War became the theme of the movement. In the process of intellectuals contacting and transforming the old form,the debate about the “national form of literature and art” had spawned,and the “controversy between the old and the new” in traditional culture aroused discussion again. At this time,Mao Zedong put forward a new democratic cultural view,formed a dialectical perspective to correctly examine traditional culture,replaced the cultural proposition of the New Enlightenment Movement,and became a guide for the construction of new democratic culture in the future.

关 键 词：新启蒙运动 传统文化 本位文化讨论 民族形式论争 

分 类 号：K203[历史地理—历史学]