景观新主角:植物仿生公共艺术与天然植物的错位竞争关系辨析  

The New Protagonist of Landscape:Analysis of the Dislocated Competitive Relation between Plant Bionic Public Art and Natural Plants

作　　者：王鹤[1] Wang He

机构地区：[1]天津大学建筑学院

出　　处：《公共艺术》2022年第3期94-99,共6页Public Art

基　　金：国家社会科学基金艺术学重大项目“中国文化基因的传承与当代表达研究”资助(项目编号:21ZD01)。

摘　　要：进入公共空间的新一代植物仿生公共艺术,面临与天然植物的比较与审视。本文通过简要回溯植物仿生公共艺术发展脉络以清晰其属性,列举其作为能源节点和信息节点等不可替代的功能,从而归纳出其与天然植物在位置、尺度、成本等领域存在错位竞争而非同位竞争关系。植物仿生公共艺术在中国推广的潜力,可以为智慧城市、海绵城市的建设作出贡献。The new generation of plant bionic public art entering the public space is faced with a comparison and examination between natural plants.Through a brief review of the development of plant bionic public art to clarify its attributes,this paper lists its irreplaceable functions as energy nodes and information nodes,and concludes it has a dislocated competitive relation rather than a peer competition with natural plants in location,scale,and cost.It has the potential to be promoted in China and can contribute to the construction of smart cities and sponge cities.

关 键 词：景观 植物仿生 公共艺术 错位竞争 

分 类 号：J0[艺术—艺术理论]