冯梦龙“三言”编辑思想及策略研究  

Research on the Editorial Thoughts and Strategy of Feng Menglong’s Three Words

作　　者：陈丽妍 赵小艳 CHEN Li-yan;ZHAO Xiao-yan(Department of Chinese Language and Literature,Lüliang University,Lishi Shanxi 033001,China;Senior High School Attached to Lüliang University,Lishi Shanxi 033000,China)

机构地区：[1]吕梁学院中文系,山西离石033001 [2]吕梁学院附属高级中学,山西离石033000

出　　处：《吕梁学院学报》2022年第5期41-44,共4页Journal of Lyuiang University

基　　金：吕梁市重点研发项目(2021SHFZ-1-29)。

摘　　要：明代图书出版事业是我国古代图书出版史上公认的“黄金时期”,尤其是天启之后,出版业更是盛极一时,冯梦龙三言(《喻世明言》《警世通言》《醒世恒言》)的问世,是冯梦龙应商贾之请进行编纂的结果。“三言”的成功在于冯梦龙在编纂过程中精准地捕捉到受众的心理和需求。20世纪60年代接受美学始于德国,80年代中期传到中国,并引起学界的强烈反响。该理论强调读者对于文学创作的重要意义,其中的“期待视野”“召唤结构”“视野交融”等核心理论与“三言”中体现出的冯梦龙的编辑思想不谋而合。本文尝试用接受美学理论,排除政治经济等若干外在因素,仅从编辑与读者的单线双向关系这一维度展开,旨在对冯梦龙编辑思想及编辑策略进行更深入的研究。The publishing industry in Ming Dynasty is recognized as the “Golden Age” in ancient Chinese publishing history.Especially after the reign of Tianqi, the publishing industry flourished.Answering to requests from some merchants, Feng Menglong compiled Three Words(Illustrious Words to Instruct the World,Ordinary Words to Warn the World,and Lasting Words to Awaken the World).The success of Three Words lies in the fact that Feng Menglong accurately captures the audience’s psychological needs in the compilation process.Reception Aesthetics originated in German in the 1960 s and spread to China in the mid-1980 s, causing a strong response in academia.This theory emphasizes the significance of readers’ role in literature creation, and its core theories such as “vision of expectation”,“structure of call” and “integration of vision” are in line with Feng Menglong’s editorial thoughts reflected in Three Words.This paper tries to use the theory of Reception Aesthetics and aims to further analyze the editorial thoughts and strategy of Feng Menglong from the single-line bidirectional relationship between editors and readers, excluding some external factors such as politics and economy.

关 键 词：接受美学 三言 编辑出版 通俗 教化 

分 类 号：G232.1[文化科学]