力动态框架下的扬州评话《武松》研究——以“康文辩罪”为例  

A Force Dynamics-based Study on the Script for Story-telling of Yangzhou Pinghua Wu Song——Exemplified by the Story of"the Pleading by Kang Wen"

作　　者：张靖宇[1] ZHANG Jingyu(School of Foreign Languages,Yangzhou Polytechnic College,Yangzhou Jiangsu 225009,China)

机构地区：[1]扬州职业大学外国语学院,江苏扬州225009

出　　处：《江苏科技大学学报（社会科学版）》2022年第3期35-40,共6页Journal of Jiangsu University of Science and Technology(Social Science Edition)

基　　金：江苏省高等职业院校专业带头人高端研修资助项目“入场理论视角下的中英定式小句对比研究”(2019GRGDYX083);扬州市职业大学2018年度校级科研项目“认知文体学视角下的扬州评话话本《武松》研究”(2018RW19)。

摘　　要：为探究扬州评话《武松》的概念构建策略,以“康文辩罪”选段为例,通过力趋势对抗模型,阐释辩罪事件中诸多概念元素的动态关系。评话表演者将该事件分为三个阶段,并根据不同的力动态子模型组织概念框架。在辩罪初始阶段,表演者注重于凸显对抗双方力量强度的差异;在发展阶段,表演者则强调力量强弱平衡的转换;在事件尾声阶段,表演者展示了抗力体对主力体心理因素的影响以及心理施加元素的变化过程。灵活多样的概念组织方式增加了话本叙事内容的信息含量,降低了听众的理解负担,提升了表演的趣味性和故事性,从而实现了话本的文学艺术性与社会批判性的有机融合。Based on the force dynamics model,this paper focuses on the dynamic relationship of many conceptual elements and seeks for the discourse strategies of concept construction in the story of“the Pleading By Kang Wen”from Yangzhou Pinghua Wu Song.The pleading event,consisting of three stages,is constructed with various force dynamic models by the performer.At the first stage,the difference in strength of the opposing forces is profiled.Then,the Pinghua performer focuses on the shift in balance of strength at the second stage.Finally,the influence on the antagonist’s psychological factors and the changing of exertion factors gain the prominent status in the conceptual frame.The flexibility in the application of the force dynamics model increases the informativeness of the narration,decreases the cognitive burden of comprehension on the recipients and enhances the interest of the performance so as to realize the integration of literariness and social criticism in the discourse of Yangzhou Pinghua.

关 键 词：力动态 主力体 抗力体 《武松》 扬州评话 

分 类 号：H146[语言文字—汉语]