检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:陈静[1] CHEN Jing(Department of Chinese Language and Literature,East China Normal University,Shanghai,China 200241)
出 处:《昆明学院学报》2022年第5期15-23,共9页Journal of Kunming University
摘 要:中国山水画历史悠久,其中包含诸种影响民族认同、具有文化结构意义的重要图式。随着历史的发展,中国古代山水图式被挪移、引入了多种形态的物质文化载体,并广泛地流布于古代的东亚世界,产生了深远的影响。21世纪初,中国原创绘本界面对全球化浪潮,通过诸种方式改进、更新并创造出中国古代山水图式的现代性体验方式,使中华文明的精粹成功地进入了儿童文学领域,为绘本中的山水图画与当代儿童的沟通提供了多种可能,从而形成了全新的文化表达形态。Chinese landscape painting has a long history and important schemas,which have played a vital role in cultural construction and national identity.In history,the schemas were used in many types of material culture products,spread in ancient East Asia and mattered greatly the culture.In the early 21st century,facing the globalization,Chinese creators of picture books improved,enhanced and created modern experience of Chinese landscape painting schemas by various means.They made it possible for contemporary children to communicate with the landscape painting in the picture books.So,the essence of Chinese culture has successfully entered the field of children′s literature,forming a brand-new cultural form.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.38