晨歌的能指和所指及其传播时空研究  

Study on Signifier and Signified of Chenge Songs and Its Propagation Time and Space

作　　者：刘宇统 黄小惠[2] LIU Yutong;HUANG Xiaohui(Music Department,Bozhou University,Bozhou,Anhui 236800,China;Culture and Art Department,Yibin University,Yibin,Sichuan 644007,China)

机构地区：[1]亳州学院音乐系,安徽亳州236800 [2]宜宾学院文化艺术学部,四川宜宾644007

出　　处：《宜宾学院学报》2022年第11期89-98,共10页Journal of Yibin University

基　　金：2017年度国家社科基金艺术学项目“少数民族音乐文化失忆与重构问题研究——以僰人音乐文化为例”(2017FD03059)。

摘　　要：作为四川民歌的代表歌种,晨歌与它的代表作《槐花几时开》早已经冲出国门成为世界名歌。但是,关于晨歌的实际流传区域和传播的时空研究并没有在学术界达成共识。造成这种现象主要原因是对晨歌能指和所指存在模糊认识和对晨歌的传播时空认识不够明晰。从现有记录晨歌的口述资料中可以发现晨歌于1950年的宜宾为起点,先在四川省内部传播,形成初步的发展时空,然后,借助歌曲《槐花几时开》,以成都和上海为传播点向全国和世界扩散,最终,借助海内外的受众重新进行文化重构并取得当地的文化认同,回归神歌。As a representative song of Sichuan folk songs,“Chenge songs”(晨歌)and its representative work“When will the sophora bloom”(槐花几时开)have already rushed out of China and become a world famous song.However,there is no consensus in the academic circles on the actual spread area and the time-space research of the spread of“Chenge songs”(晨歌).The main reason for this phenomenon is that there is a vague understanding of the signifier and signified of“Chenge songs”(晨歌)and that there is not a clear understanding of the communication time and space of“Chenge songs”(晨歌).From the existing oral materials recording“Chenge songs”(晨歌),it can be found that“Chenge songs”(晨歌)started from Yibin in 1950,spread within Sichuan province,forming a preliminary development space-time.Then,with the help of the song“When will the sophora bloom”(槐花几时开),it spread to the whole country and the world with Chengdu and Shanghai as the transmission points.Finally,with the help of audiences,it reconstructs its culture,obtains local cultural identity,and returns to“Shen songs”(神歌).

关 键 词：晨歌 神歌 时空维度 文化认同 

分 类 号：G206[文化科学—传播学] J607[艺术—音乐]