云冈38窟“幢倒乐神”的文字与图像的多元表达  

Multiple Expressions of Text and Images of the"Chuang Dao Le Shen"in Cave 38 of Yungang

作　　者：郑丽斌[1] Zheng Libin(Taiyuan University of Technology,Jinzhong 030600,China)

机构地区：[1]太原理工大学,山西晋中030600

出　　处：《艺术与设计（理论版）》2022年第10期43-45,共3页Art and Design

摘　　要：文章通过云冈石窟38窟“幢倒乐神”的文字和图像的元素分析,对其文字和图像内容、构成元素和形意的表达以及文字和图像之间信息的传递方面进行了阐释。其图像通过乐伎和杂技等元素相组合的方式对文字进行了解析,同时还描绘了当时百姓的生活场景,具有一定的叙事作用。其文字和图像之间的关系中图像是文字内容的解释和诠释,是形意表达的集合体,通过多种感官的调动进行大量相关信息的传递。在与当代商标标志设计的对比中,当代商标设计中图像简化设计形式较多,文字和图像的关系是以信息减法的方式表达,减少了文字表达的信息量,而北魏云冈乐神的文字和图像的关系则是以信息叠加的方式表达,这种设计表达方式增加了文字表达的信息量,给现当代设计带来一定的启示。This paper analyzes the elements of the text and images of the"Chuang Dao Le Shen"in Cave 38 of the Yungang Grottoes,explaining the content of the text and images,as well as the expression of the constituent elements and form and meaning,and the transmission of information between the text and images.The images interpret the text through the combination of musical and acrobatic elements,and also depict the life of the people at that time,which has a certain narrative role.The relationship between the text and the image is that the image is the interpretation and interpretation of the text content,and it is a collection of form and meaning expressions,which transmits a lot of relevant information through the mobilization of multiple senses.In comparison with the contemporary trademark logo design,there are more simplified forms of image design in modern trademark design,and the relationship between text and image is expressed in the way of information subtraction,which reduces the amount of information expressed in text,while the relationship between text and image of the Northern Wei Yungang Music God is expressed in the way of information superposition,which increases the amount of information expressed in text and brings certain inspiration to the contemporary design.

关 键 词：文字 图像 信息符号 多元表达 

分 类 号：G20[文化科学—传播学] K879.22[历史地理—考古学及博物馆学]