米芾《画史》整理本的几个问题  

Several Problems in Some Emendated Editions of Mi Fu’s Hua Shi

作　　者：江巨荣[1] Jiang Jurong(Department of Chinese Language and Literature,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学中文系,上海200433

出　　处：《复旦学报（社会科学版）》2022年第5期22-30,共9页Fudan Journal（Social Sciences）

摘　　要：米芾《画史》是古代书画论、书画评的重要著作,影响深远。近二十多年来,画学家为这部论著做了系统的版本校勘、标点和文字注解诠释,出版了多种整理本,既便于读者阅读,也推进了《画史》研究的发展。但仔细研读这些整理本,可以发现这些新本有的选择底本不够严格,文字校勘不够仔细,句逗标点不够准确,注释、串讲有不少失误或有待商榷。今合为“整理本的几个问题”与画史专家和读者一起讨论,以期在现代认识的基础上对这部著作有更确切更深入的了解,有新的、适应不同需求的整理本问世。Mi Fu’s Hua Shi(A history of Chinese painting)is an influential critical work on ancient paintings and calligraphy.In recent 20 years,quite a few emendated editions have been published which is very helpful to common readers and academic researchers as well.But when we take a close look at these editions,we may find defects on various dimensions,like in original version selection,proofreading,and annotation.In this article,all these problematic issues are discussed,aimed to have a more comprehensive understanding of this work from modern perspectives.Hopefully we will have some new editions to meet various needs.

关 键 词：米芾《画史》 整理本 底本 校勘 句逗 注释 串讲 

分 类 号：J205[艺术—美术]