儿童视角的极致与变体——论莫言《四十一炮》的童话色彩  

The Extreme and Variation of Children’s Perspective:On the Fairy Tale Color of The Forty-one Cannons by MO Yan

作　　者：郑雨竹 ZHENG Yuzhu(Fujian Normal University,Fuzhou Fujian 350007)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《浙江万里学院学报》2022年第6期63-68,共6页Journal of Zhejiang Wanli University

摘　　要：《四十一炮》是莫言首次用儿童视角创作的长篇小说。通过主人公罗小通的叙述,使人意识到商业化经济过度发展对农村固有生活的冲击和对人生存状态的思考。作为莫言对儿童视角进行告别式使用的创作,《四十一炮》从童话式形象、童话式语言、童话式叙述结构三个方面表现出强烈的童话色彩。与莫言之前的文本比较,还能够发现该小说的童话式思维在作家创作中的传承与突破,并呈现出一种变体童话的风格,即“童话现实主义”。The forty-one cannons is the first novel that MO Yan created from children’s perspective.Through the narration of the protagonist LUO Xiao-tong,people realized the impact of the over-development of the commercial economy on the living pattern of the countryside and the thinking of the living state of people.As MO Yan adopted the children’s perspective in a farewell style,the novel showed strong fairy tale color from three aspects:fairy tale image,fairy tale language and fairy tale narrative structure.Compared with MO Yan’s previous texts,we could also find the inheritance and breakthrough of the novel’s fairy-tale thinking in the writer’s creation,and it also presented a variant fairy-tale style,namely“fairy-tale realism”.

关 键 词：莫言 童话 儿童视角 童话现实主义 

分 类 号：I207[文学—中国文学]