作为境界论美学关键词的“感兴”  

“Gan-xing” as an Aesthetic Keyword in the Realm Aesthetics

作　　者：汤凌云 TANG Lingyun(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《贵州大学学报（艺术版）》2022年第6期10-16,F0002,共8页Journal of Guizhou University Art Edition

基　　金：国家社科基金重大项目“美学与艺术学关键词研究”(项目编号:17DA017)。

摘　　要：作为境界论美学关键词的“感兴”,它既指向超越世俗化生存状态的人生境界,又是兴发自然、情景适会的艺术境界,这两重境界彼此关联,交相辉映。在文化全球化和学科纵深化发展的时代,探讨作为境界论美学关键词的“感兴”,有助于深化对中华美学精神的认识,对于当今审美生活建设和艺术创作实践也不乏现实意义。As one aesthetic keyword in the realm aesthetics, “gan-xing”(It means to pour out the poetic sentiments or literary inspirations stimulated by the external objects) not only points to the living state beyond the secular life, but also refers to the artistic realm arising from the natural development and situational adaptation, which complement and interrelate with each other. In the era of cultural globalization and the deepening development of disciplines, the discussion of “gan-xing” as one aesthetic keyword in the realm aesthetics is helpful to deepen the understanding of Chinese aesthetic spirit and has practical significance to construct the current aesthetic life and to conduct the artistic creation.

关 键 词：中华美学精神 文化全球化 境界论 关键词 人生境界 审美生活 感兴 生存状态 

分 类 号：J01[艺术—艺术理论]