论孙隆绘画风貌的形成与影响  

The Formation and Influence of Sun Long’s Painting Style

作　　者：黄振[1] Huang Zhen(School of Arts,Sichuan University,Chengdu 610207)

机构地区：[1]四川大学艺术学院,四川成都610207

出　　处：《西北民族大学学报（哲学社会科学版）》2022年第6期174-184,共11页Journal of Northwest Minzu University(Philosophy and Social Sciences)

摘　　要：孙隆作为明代前期颇具影响力的宫廷花鸟画家,因存世作品和文献资料相比其他画家较为匮乏,屡屡被研究者所忽视。目前人们关于孙隆的基本认知主要源于承名世、薛永年和徐邦达的研究成果,数十年来没有新的突破。近几年的研究文章,更多是针对其绘画风格、技法特点进行分析论述,未曾讨论背后的社会情境因素,因此不够系统全面。而结合孙隆的画作和相关文献资料,从孙隆所处的社会情境因素出发,重新分析考证他的生平、绘画风格成因、影响力及风格延续受限的原因,有助于我们更加深刻地理解明代宫廷绘画审美的变迁以及中国传统绘画美学在近几百年内产生的持续性转向。As an influential court flower and bird painter in the early Ming Dynasty,Sun Long was often neglected by researchers because of the scarcity of extant works and documents compared with other painters.At present,the basic knowledge about Sun Long mainly comes from the research results of Cheng Mingshi,XueYongnian and Xu Bangda,and no new breakthrough has been made in decades.In recent years,most of the research articles focus on the analysis and discussion of Sun Long’s painting style and techniques,do not explore the underlying social factors,andare not systematic and comprehensive.Based on Sun Long’s paintings and historical documents,starting with his social situations,the article re-analyzes hislife,reasons behind his painting style,hisinfluence,and the reason why the inheritance of his style was limited.All these will help us to understand more deeply the evolution of the court painting aesthetics in the Ming Dynasty and the constant turns oftraditional Chinese painting aesthetics in the past centuries.

关 键 词：社会情境 常州孙氏谱记 毗陵草虫画 台阁雅集 道教文化 

分 类 号：J05[艺术—艺术理论]