杨恩寰美学思想中的“实践”观念  

The Concept of“Practice”in Yang Enhuan’s Aesthetic Thought

作　　者：方明[1] FANG Ming(College of Philosophy,Liaoning University,Shenyang 110136,China)

机构地区：[1]辽宁大学哲学院,辽宁沈阳110136

出　　处：《辽宁大学学报（哲学社会科学版）》2022年第1期17-24,共8页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：辽宁省教育科学“十三五”规划2020年度课题“中国美学史课程叙述结构与教学模式创新研究”(JG20DB189)。

摘　　要：杨恩寰是实践论美学的重要理论总结者和体系建构者,其美学思想强调人类的物质生产实践乃是审美活动的历史发生学根源和心理创造论的深层基底,其中体现出他对马克思主义的“实践”观念格外深刻和准确的把握。杨先生认为实践作为一个历史唯物主义的范畴,本质上是使用和制造“工具和符号”的活动,同时也是一种“价值”活动,其内含的精神生产实践和审美实践等层次可以用于解释诸多审美现象,但关于美本体的问题却只能在物质生产实践中寻求答案。Yang Enhuan is an important theoretical summarizer and system builder of practical aesthetics.His aesthetic thought emphasizes that human material production practice is the historical source of aesthetic activities and the deep foundation of psychological creation theory,which reflects his particularly profound and accurate grasp of Marxist concept of“practice”.Yang Enhuan believes that practice,as a category of historical materialism,is not only an activity of using and manufacturing“tools and symbols”,but also a kind of“value”activity.The spiritual production practice and aesthetic practice of its connotation can be used to explain many aesthetic phenomena,but the question about the noumenon of beauty can only be answered in the practice of material production.

关 键 词：杨恩寰 实践论美学 审美实践 

分 类 号：B83-0[哲学宗教—美学]