论《平复帖》与吴人书法  

Ping Fu Tie and Wu People’s Calligraphy

作　　者：马顺平[1] Ma Shunping

机构地区：[1]故宫博物院,北京100009

出　　处：《中国国家博物馆馆刊》2022年第10期107-115,共9页Journal of National Museum of China

摘　　要：故宫博物院藏西晋陆机《平复帖》,是著名的传世法书巨迹,关于其书体,宋代以来即众说纷纭,至今尚无统一结论。出现这一现象的原因,与“吴人书法”在书史体系构建中的缺失有很大关系。东晋葛洪《抱朴子》记载,三国时期,江南形成了与中原风格差异较大的吴人书法,其特点是用笔古拙受行书影响较小。东吴灭亡后,吴人书法家出现了改学中原新书风的潮流,但从《南史》和唐代窦臮《述书赋》所收录吴人书法家作品的品题,可以发现,直到南朝初年,吴人古拙保守的书风仍在延续。吴人书法的视野,为理解《平复帖》书体问题及书写年代,都提供了新的思路。Ping Fu Tie(平复帖,Manuscript of Recovery from Illness)by Lu Ji(261–303)collected at the Palace Museum is a great historic calligraphy,which is handed down from the West Jin dynasty.Regarding its calligraphic script,there have been different opinions since the Song dynasty,and no unified conclusion have been reached so far.The reason for this phenomenon is closely related with the lack of“calligraphy of Wu people”in the calligraphy history system.Ge Hong’s book Bao Pu Zi(抱朴子,Book of the Master Who Embraces Simplicity)of the Eastern Jin dynasty records that during the Three Kingdoms period,“calligraphy of Wu people”was formed in the south area,which was quite different from the style of the Central Plains.After the demise of Wu,its calligraphers turned to study the Central Plains’style.However,from relevant documents including Nan Shi(南史,History of the Southern Dynasties)and Shu Shu Fu(述书赋,Collection of Great Calligraphers in History and Their Masterpieces)of the Tang dynasty,it can be observed that in the early years of the Southern Dynasties,the archaic and conservative writing style of Wu people was still extant.The vision of Wu people’s calligraphy provides a new perspective for the understanding of the date and script of Ping Fu Tie.

关 键 词：陆机 平复帖 书体 吴人书法 抱朴子 述书赋 

分 类 号：J292.1[艺术—美术]