《独行月球》:本土化科幻喜剧的突破与缺失  

Moon Man: The Breakthrough and Weakness of Chinese Sci-Fi Comedy Film

作　　者：孙承健[1] Sun Chengjian

机构地区：[1]中国艺术研究院电影电视研究所

出　　处：《电影艺术》2022年第5期68-71,共4页Film Art

摘　　要：《独行月球》在整体风格、视觉概念与数字技术等层面的尝试、探索,为中国科幻喜剧电影的本土化发展,增添了具有可参照价值的意义亮点。本片以视觉性为主导的创作观念,更加凸显出电影美术的重要价值和功能。数字角色与数字化表演技术的迭代升级,已成为中国电影数字技术发展的主要趋势。然而,值得注意的是,如何秉持科学的思维方式,在意蕴回味与反思中,引发观众对于科学发展和人类命运的深入思考,是中国科幻电影亟待解决的命题。The attempt and exploration of the film Moon Man in terms of overall style, visual concept and digital technology have added meaningful highlights of the referential value to the localized development of Chinese sci-fi comedy films. The creative concept led by visuality highlights the importance of film art. The iterative upgrading of digital character and digital performance technology have become the main trend of digital technology development in China. However, it is worth noting that how to uphold the scientific way of thinking, in order to make audience think deeply about the development of science and the fate of human beings, is an urgent proposition to be solved by Chinese science fiction films.

关 键 词：科幻喜剧 视觉性 电影美术 数字化表演 科学思维 

分 类 号：J905[艺术—电影电视艺术]