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作 者:杜学敏[1] DU Xue-min(College of Chinese Language and Literature,Shaanxi Normal University,Xi an 710119,China)
出 处:《美育学刊》2022年第6期55-64,共10页Journal of Aesthetic Education
摘 要:正像在美学学科内部存在着重视艺术哲学或艺术美学而忽视自然美学的偏见一样,在美学现代性研究中也明显存在重视艺术美现代性而忽视自然美现代性的问题。有别于当代方兴未艾的环境美学与生态美学,自然美学以研究自然美与自然审美为己任,关注自然事物之美和天然天成本性之美双重内涵,反思人与内外在双重自然的审美关系。通过梳理自然美学的诞生及其历史演进的重要关节点可以看出,自然美学的产生是一个地地道道的现代性现象。现代性自然美学视域下的自然美研究,不只针对自然美问题本身,也针对其他美学问题乃至美学基本与关键问题;不只限于美学学科内部,也是跨学科或涉及整个人类思想的。The current study of aesthetic modernity obviously has the prejudice of paying attention to the modernity of artistic beauty and ignoring the modernity of natural beauty.Natural aesthetics takes the study of natural beauty and natural aesthetics as its own responsibility,and focuses on the natural beauty with the dual connotations of the beauty of natural things and the beauty of natural cost.As academic research of humanities,it reflects on the dual natural aesthetic relationship between man and inside and outside.This paper aims to explain the birth of natural aesthetics and the key points of its historical evolution,and to illustrate that the emergence of natural aesthetics,as a member of the aesthetic family,is a genuine phenomenon of modernity.The study of natural beauty from the perspective of modern natural aesthetics has irreplaceable important value for natural beauty itself,the basic and key issues of aesthetics,related disciplines and even the study of human thought.
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