明朝巴蜀诗人对前后七子复古诗论的反拨  

The Argument by Bashu Poets Against the Retro Poetics by the Former and Latter Seven Scholars in the Ming Dynasty

作　　者：郭浩南 GUO Haonan(College of Humanities,Hunan University of Science and Technology,Xiangtan,Hunan 411100,China)

机构地区：[1]湖南科技大学人文学院,湖南湘潭411100

出　　处：《西昌学院学报（社会科学版）》2022年第4期102-108,共7页Journal of Xichang University：Social Science Edition

摘　　要：明弘治以后,西南一隅的巴蜀诗人却勇于逆潮流而上,冷静观察前后七子的复古思潮,围绕诗歌本质论、诗歌创作观以及诗歌审美观上三个方面指出了前后七子复古诗论中的弊端,表达了自己坚持传统诗学的理论主张,表现出与文学反复古团体诗学观点不完全一致的特点,在明中后期诗坛呈现出别具一格的风貌。During the reign of Hongzhi Emperor in the Ming Dynasty,the theory of retro poetry represented by the former and the latter seven scholars quickly swept through and presided over the national poetic circle for a hundred years,triggering a national trend of retro poetry creation.At that time,the Bashu poets in the southwest part of China(Sichuan area)dared to confront against the trend,calmly examining this powerful retro trend and pointing out various drawbacks in the theory of retro poetry of the former and the latter seven scholars based on the three aspects of poetry essence,poetry aesthetics and poetry creation.They expressed their theoretical standpoint of upholding the traditional poetics.In addition,the traditional poetics of Bashu poets in the middle and late Ming Dynasty also showed that they wouldn’t follow the Poetics of retro genre in the debate between pro-retro and anti-retro schools,exhibiting a unique style in the poetry circles in the middle and late Ming Dynasty.

关 键 词：巴蜀诗人 前后七子 诗歌本质论 诗歌创作观 诗歌审美论 

分 类 号：I207.22[文学—中国文学]