汉画蕴含的道家文化思想  

Taoism in the Paintings of the Han Dynasty

作　　者：唐建[1] Tang Jian

机构地区：[1]中国艺术研究院

出　　处：《中国美学》2022年第1期127-145,共19页Chinese Aesthetics

摘　　要：道家是先秦诸子流派中重要的一支,对哲学理论思维的发展贡献巨大。汉画中以“孔子见老子”为重要题材的作品众多,楚民俗文化中原始巫术文化及神奇瑰丽的神话传说为汉画注入了神秘浪漫主义的艺术魅力,道家思想对汉画审美理念的嬗变作用持续影响着中国画的审美,对中国画的著名美学思想“气韵生动”“传神写照”“知白守黑”“天人合一”等,产生了巨大的影响,并一直贯穿中国画精神的内核。汉画中对“神韵”的追求、对“简”的崇尚、对“拙”的表现等审美理念均源于老庄思想,它对精神自由的无限向往与执着追求奠定了汉画浪漫与写意精神的艺术基调。Taoism is one of the most significant schools of pre-Qin philosophers,and has made great contributions to the development of philosophical theory."The meeting of Confucius and Laozi"is a common subject of paintings of the Han Dynasty.Taoism changed the aesthetics of paintings of the Han Dynasty and continued to influence the aesthetics of Chinese paintings,such as the concepts of"rhythmic vitality","expressive portrayal","knowing white and guarding black"and"the unity of heaven and man".It runs through the core of the spirit of Chinese painting.The Taoism of Lao Zi and Zhuang Zi determines.the aesthetic concepts of"romantic charm","simplicity",and"clumsiness"in Han paintings,its infinite yearning and persistent pursuit of spiritual freedom laid the artistic tone of romantic and freehand spirit of paintings of the Han Dynasty.

关 键 词：汉代绘画 黄老思想 神仙方术 道教 道教文化 

分 类 号：K879.4[历史地理—考古学及博物馆学] J212[历史地理—历史学] K234[艺术—美术] B223[哲学宗教—中国哲学]