审美感兴的价值论观照  

Contemplation on the Axiology of Aesthetic Sense Inspired by Things

作　　者：张晶[1] Zhang Jing(School of the Humanities,Communication Universityof China,Bejing 100024,China)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《复旦学报（社会科学版）》2022年第6期92-103,共12页Fudan Journal（Social Sciences）

基　　金：国家社科基金重大项目“中国古代美学命题整理与研究”(项目批准号:21&ZD068);国家社科基金重点项目“中华美学精神的诗学基因研究”(项目批准号:19AZW001)的阶段性研究成果;中国传媒大学中央高校基本科研业务费专项资金资助。

摘　　要：感兴作为中国美学中非常重要的创作论范畴,其实质是“触物而兴情”。无论是文学或其他门类的艺术创作过程,多是以感兴为起点。感兴也是艺术佳作所以产生的最佳契机。感兴有着以审美价值的创造为其最重要的理论本质。感兴不同于审美移情,而是主客双方的互相契合。对于文学艺术创作来说,感兴是最为核心的环节。感兴也并非如很多人理解的那样,仅是存在于创作的初始阶段,也即艺术创作的冲动发生,而是贯穿于作品创作的全过程的。感兴并不脱离形式创造,而恰恰是直接关系到作品的艺术形式的生成与完整呈现。对于文学艺术的接受而言,审美享受的初始来源就在于作品形式。从价值论的角度考察感兴论,这也是一个直观的层面。As a very important category of creation theory in Chinese aesthetics,the essence of gan xing is“inspired by things.”Whether it is literature or other kinds of artistic creation,most of them are initiated from gan xing,which is also the best opportunity for creating excellent works of art.The creation of aesthetic value is the most important theoretical essence of gan xing.Different from aesthetic empathy,gan xing is a harmonious bonding of subject and object.Gan xing does not only exist in the initial stage of creation,as many people suppose,merely as an impulse of creation,but runs through the whole process.It is not independent from creation,but closely related to the generation and complete presentation of artistic form.For the acceptance of literature and art,the initial source of aesthetic enjoyment lies in the form of works.It is an intuitive approach to investigate the theory of gan xing from the perspective of axiology.

关 键 词：感兴 审美价值 创造机制 形式 

分 类 号：I01[文学—文学理论]