阿甘本“隐私”伦理的“主体表象”视角  

On the Perspective of “Subject Representation” of Agamben’s “Privacy” Ethics

作　　者：徐艳东 XU Yandong(Institute of Philosophy,Chinese Academy of Social Sciences;School of Philosophy,University of Chinese Academy of Social Sciences)

机构地区：[1]中国社会科学院大学哲学院 [2]中国社会科学院哲学研究所伦理室

出　　处：《当代中国价值观研究》2022年第2期16-27,共12页Chinese Journal of Contemporary Values

基　　金：国家社会科学基金项目“意大利文艺复兴与转型伦理研究”(18BZX114)的阶段性成果。

摘　　要：隐私伦理通常关注的是“客体—泄露”这一固定结构,指向数据抓取者的合法性及其信息获取限度等问题。阿甘本关注的是隐私伦理的第二向度,即“主体—存在”,注重“泄露本身”对生命整全性的伤害。借由对于“面具”概念的考古和“面孔”影像的现代性阐释,阿甘本不仅分析了面具在各个阶段表象主体关系的复杂性,而且重点强调了“面孔”表象方式在当代世界中危险与机遇并存的双重现实。通过艺术的方式,阿甘本分析了几种典型的主体“归隐”方式,认为这些方式有效性与局限性并存。Privacy ethics usually focuses on the fixed structure of“object disclosure”,which points to the legitimacy of data grabbers and their information access limits.Agamben focuses on the second dimension of privacy ethics,namely“subject—being”,and pays more attention to the damage of“disclosure itself”to the integrity of life.Through the archeology of the concept of“Mask”and the modern interpretation of the image of“face”,Agamben not only analysed the complexity of the subject relationship of the mask at various stages,but also emphasized the dual reality of the coexistence of danger and opportunity in the contemporary world.Through the artistic way,Agamben exemplifies several typical ways of“Seclusion”of the subject for us,and believes that the effectiveness and limitations of these ways exist at the same time.

关 键 词：隐私 表象 面具 面孔 

分 类 号：B82[哲学宗教—伦理学]