“微”时代文艺批评笔谈  

On Literary Criticism in the “Micro” Era

作　　者：王德胜[1] 屠毅力 蒋述卓 彭锋[5] 张宝贵[6] 唐宏峰[5] Jiang Shuzhuo;Peng Feng;Zhang Baogui;Tang Hongfeng

机构地区：[1]首都师范大学文学院 [2]《探索与争鸣》 [3]深圳大学美学与艺术研究院 [4]暨南大学文学院 [5]北京大学艺术学院 [6]复旦大学中文系

出　　处：《探索与争鸣》2022年第11期140-161,180,共23页Exploration and Free Views

基　　金：国家社科基金重点项目“马克思本体论生活美学思想及其当代价值研究”(18AZW005)阶段性成果。

摘　　要：“微”时代,新媒介正日益介入并改变着人们的书写和表达形式。“人人都是批评家”的背景下,文艺批评还需要共识,还能有共识吗?大量综合媒介文本充斥我们的时代,书写还有未来吗?“微”时代的文艺批评如何实现“自我调控”,建立一种有限度的审美融合?又如何在艺术本位和资本力量的裹挟之间寻求突围?蒋述卓、彭锋、张宝贵、唐宏峰四位学者分别从不同角度对以上问题做出了富有启发的探讨,希望本组专题能打开“微”时代文艺批评这一时代话题。In the “micro” era, new media are increasingly involved and changing people’s writing and expression forms. “Everyone is a critic”, but does literary criticism still need consensus? Can consensus exist? A large number of comprehensive media texts exist in our times. Is there a future for writing? How can literary criticism in the “micro” era achieve “self-regulation” and establish a limited aesthetic integration? How to break through the encirclement between art standard and capital strength? Jiang Shuzhuo, Peng Feng, Zhang Baogui and Tang Hongfeng made enlightening discussions on the above issues from different perspectives. It is hoped that this paper can open up the topic of literary and artistic criticism in the “micro” era and promote further discussion.

关 键 词：文艺批评 自我调控 媒介文本 新媒介 艺术本位 蒋述卓 突围 批评家 

分 类 号：I0[文学—文学理论]