倾听沉默的“创伤之地”——《广岛之恋》中创伤经验的空间建构  

Listening to the Silent″Traumatic Place″:The Spatial Construction of Traumatic Experiences in Hiroshima mon amour

作　　者：王莹雪 陶东风[1] WANG Yingxue;TAO Dongfeng(School of Humanities,Guangzhou University,Guangzhou,Guangdong 510006,China)

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《广州大学学报（社会科学版）》2023年第1期139-147,共9页Journal of Guangzhou University:Social Science Edition

摘　　要：在《广岛之恋》中,“广岛”是一个特殊的“创伤之地”。它依凭自身的地点维系力,保持了创伤过往在现时的持久在场,同时也赋予了不同受创者以一种可以相互吸引与相互询唤的必然关联。只有选择面向“倾听”的话语姿态,才能对沉默的伤口进行新的言说。通过文学的诗性话语,影片将创伤经验转化为一种独特的地域表达,以此把有别于档案纪实的感性体验迂回传递给观众;透过影片中的空间症候,创伤经验及其历史意指得以在形式上被展现出来。In Hiroshima mon amour,″Hiroshima″is a special″traumatic place″.It relies on its own maintenance force of the place to preserve the presence of the traumatic past which is always in the present,and at the same time endows different people suffering from trauma with a necessary connection that can interrogate and choose each other.In addition,only by choosing a discourse posture facing″listening″can new words be spoken about the wounds of silence.Through the poetic discourse of literature,the film transforms the traumatic experiences into a unique locational expression,and thus conveys the emotional experiences different from those documentary archives to the audiences in a roundabout way.Furthermore,through the spatial symptom of the traumatic experience,the film presents a kind of subtle signification that opens the historical truth.

关 键 词：创伤之地 创伤经验 《广岛之恋》 沉默 空间 

分 类 号：B83-05[哲学宗教—美学]