后技术时代艺术媒介的纾困  

The Rescue of Art Media in the Post-technical Era

作　　者：王朝刚[1] 林继东 Wang Chaogang;Lin Jidong

机构地区：[1]四川美术学院油画系 [2]四川美术学院

出　　处：《当代美术家》2023年第1期68-73,共6页Contemporary Artists

基　　金：重庆市教委教改项目《“在地与在线”--基于一流专业背景下的绘画专业金课建设研究》研究成果,项目编号:192028。

摘　　要：针对后技术时代下媒介变革所带来的艺术教学与创作上的独特挑战,数字拟像技术与艺术感知之间的交互提供了新的纾困之路。在当代艺术进入“重体验”“重感受”的当下,多媒体技术对于文本、图像、声音、信息的重新编码,使“艺术感知”为核心的审美范式得以被建构起来。本文以媒介演进为视角,结合后技术时代下屏性媒介和沉浸式媒介的现象分析,尽力厘清艺科融合视阈下艺术与媒介之间同源共生的关系,并从实践的角度出发探讨媒介对艺术感知延展的意义,以此阐释媒介的渐进对于艺术形态的影响,为后技术时代下的当代艺术提供一种“媒介纾困”的新思路。The interaction between digital imaging technology and artistic perception is proved to be a rescue for the challenge of media transformation on the art teaching and creation in the post-technical era.With the development of media technology,contemporary art has entered an era of re-encoding texts,information,images and sound by multiple media.It has made it possible to construct the aesthetic paradigm focusing on artistic perception.From the perspective of media technology development,especially the influence of screen media and immersive media in the post-technical era,the author analyzes the symbiosis of art and media in the combination of art and technology,discusses the practical significance of media on the artistic perception,and explains the impact of media development on art forms,putting forward a possible solution of media rescue for the contemporary art in the post-technical era.

关 键 词：艺术媒介 后技术时代 艺术感知 数 字艺术 跨媒介 

分 类 号：G206[文化科学—传播学] J0-05[艺术—艺术理论]