生生与生态:论中华美学精神的主要特质  

Growth and Ecology:A Study on the Main Characteristics of the Chinese Aesthetic Spirit

作　　者：肖朗[1] XIAO Lang(Southwest University of Political Science and Law,Chongqing 401120,China)

机构地区：[1]西南政法大学哲学系,重庆401120

出　　处：《西南政法大学学报》2022年第6期166-173,共8页Journal of Southwest University of Political Science and Law

摘　　要：中国传统文化在超越性的追求中又不离世间,呈现一种生生不息的美学意味,这是一种不离人生世间而又能构成诗意盎然的澄明之境,儒释道莫不深蕴此意。生生美学作为中国美学的根本特征,为中国生态美学的发展提供了深厚的理论基础。中国传统文化把宇宙看作生命的大化流行,自然和人可以合二为一,生命之间能够交融互摄,宇宙万物和谐共生,形成崇尚生命和崇尚自然的生态美学传统。审美作为对现代工具理性的救赎和超越,作为人与自然关系的诗意建构,能够为当代人提供新的精神寄托。由此,作为中华优秀传统文化典型代表的中国传统美学在当下中国的文化建设中无疑具有精神感召力和理论启发意义。Chinese traditional culture tries to go beyond all ready-made states of existence and is generated without leaving the world,and therefore has aesthetic meaning,which is a clear environment that does not leave the world of life and can form the poetic meaning of due diligence,which is deeply embedded in Confucianism,Buddhism and Taoism.As the fundamental feature of Chinese aesthetics,the aesthetics of life provide a profound theoretical basis for the development of Chinese ecological aesthetics.In addition,Chinese traditional culture regards the universe as the popularity of universal life,nature and man can be combined into one,and the whole life can blend,the vast harmony,forming the ecological aesthetic tradition of advocating life and advocating nature.Aesthetics,as the redemption and transcendence of modern instrumental rationality and the poetic construction of the relationship between man and nature,can provide new spiritual suits for contemporary people.Therefore,as a typical representative of Chinese excellent traditional culture,Chinese traditional aesthetics undoubtedly has important theoretical and spiritual value in the current cultural construction of China.

关 键 词：生生 生态 中华美学精神 

分 类 号：B83[哲学宗教—美学]