现代书法审美自律的困境与出路  

Dilemma and the Way out for Aesthetic Self-Discipline of Modern Calligraphy

作　　者：潘端伟 邵家瑜 秦蒲红 房宝金 唐承鲲 PAN Duanwei;SHAO Jiayu;QIN Puhong;FANG Baojin;TANG Chengkun

机构地区：[1]上海视觉艺术学院,上海201620

出　　处：《上海视觉》2022年第2期47-52,共6页Shanghai Vision

基　　金：上海市教育科研一般项目(C2-2020061):《基于神经认知科学的美育课程学习效果评价》阶段性成果。

摘　　要：文章以陈振濂和张桂光关于书法发展方向的争议为引子和案例,分析书法在审美现代性语境下的审美自律问题。书法从书斋走向展厅催生出“展览体”,这是书法审美自律开启的表现;基于展厅的场域效应,陈振濂“鸿篇巨制”说的提出是书法审美自律的探索推进。但是这种探索引发“走进千万家”说的反驳。这其实是书法在追求审美自律进程中面临的困境。文章借鉴法兰克福学派关于艺术与社会关系的思想,分析了书法审美自律性与社会性关系的特殊性,指出书法必须皈依“书道”,以形式通达生命才能介入社会与时代。这才是书法审美自律发展的方向。Based on CHEN Zhenlian and ZHANG Guiguang’s controversy on the issue of the development direction of calligraphy,this article analyzes the aesthetic self-discipline of calligraphy in the context of aesthetic modernity.Calligraphy that moves from the study to the exhibition hall gave birth to a new style of calligraphy labelled as“Exhibition Style”,which initiated the calligraphy aesthetic self-discipline.Based on the field effect of the exhibition hall,CHEN Zhenlian’s proposal of the“giant work”is the exploration and promotion of calligraphy aesthetic self-discipline.However,this kind of exploration led to the rebuttal from another proposal—“walking into thousands of homes”.That is actually the dilemma of calligraphy in the process of pursuing aesthetic self-discipline.Aesthetic self-discipline is a modern concept,so the article uses the thought of the Western Marxist Frankfurt School on the relationship between art and society for reference to analyze the particularity of the relationship between calligraphy aesthetic self-discipline and society.The article also points out that calligraphy must observe and adhere to“the way of calligraphy”,which enriches our life in the form of calligraphy in order to integrate into the society and the times.That is the development direction of calligraphy aesthetic self-discipline.

关 键 词：书法 审美 现代性 自律 形式 社会性 

分 类 号：J29[艺术—美术]