艺术创作立足“情感之维”的意义辨析  

A Critical Analysis of the Principle that “Emotional Dimension” Is the Basis of Artistic Creation

作　　者：周星[1] ZHOU Xing

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《中国文艺评论》2023年第1期16-24,I0001,共10页China Literature and Art Criticism

摘　　要：重新梳理艺术创作,深切感受到情感生发与审美感知的重要性,而中国艺术理论的建构,以及对艺术创作的现实理解、对创作和批评间的关系理解,需要确认其中国文化气质和概念生发。何以认识艺术创作、认知艺术理论,以及把握艺术批评,需要找到对应比较的维度,由此我们从创作基点上入手,认为艺术创作首先需要强调其“情感之维”的重要性,由此延伸到对于理论的“逻辑之维”和批评的“思辨之维”的比较,阐释正确理解创作出发点和批评针对性及其理论上升到审美高度的相关认识。Retrospective studies on artistic creation have revealed the significance of emotional expression and aesthetic perception. The Chinese cultural characteristics and concepts constitute premises of constructing Chinese art theory, and understanding the realistic perception of artistic creations as well as the relationship between artistic creation and criticism. A reference dimension is the key for us to comprehend artistic creation, theories, and criticism. Hence, we start from the fundamentals of artistic creation and argue that the emotional dimension of art should first be emphasized and then the comparison made between the logical dimension of theory and the analytical dimension of criticism. In this way, we can correctly understand the departure of artistic creation and criticism and the way artistic theory is uplifted to aesthetics.

关 键 词：艺术创作 情感之维 逻辑之维 思辨之维 审美 

分 类 号：J04[艺术—艺术理论]