佛释题材在陶瓷装饰艺术中的艺术形式与人文精神  

The Artistic Form and Humanistic Spirit of Buddhism Theme in Ceramic Decorative Art

作　　者：毛雯靓 Mao Wenliang(Dachuan Qingyu Ceramics Studio,Jingdezhen,333000)

机构地区：[1]大川青雨陶瓷工作室,景德镇市333000

出　　处：《陶瓷研究》2022年第6期30-32,共3页Ceramic Studies

摘　　要：佛教在魏晋南北朝至隋唐时期在我国已是相当盛行,从唐代敦煌莫高窟艺术发展的极盛时期可以得出,敦煌莫高窟佛释艺术其成就主要体现在窟型、壁画、彩塑上,并与前朝相比在整体的艺术风格上发生了明显的变化。当代景德镇陶瓷艺术中也有部分体现佛释题材的部分,大部分是在敦煌莫高窟艺术的影响下产生。其中敦煌莫高窟观音菩萨壁画是用于绘制的重要部分,本文就佛释题材在陶瓷装饰艺术中的艺术形式与人文精神进行阐述。Buddhism has been quite popular in China from the Wei, Jin, Southern and Northern Dynasties to the Sui and Tang Dynasties. From the Tang Dynasty, the peak period of artistic development of Dunhuang Mogao Grottoes, we can see that the achievements of Buddhist interpretation art in Dunhuang Mogao Grottoes are mainly reflected in the cave type,murals, and painted sculptures, and the overall artistic style has changed significantly compared with the previous dynasties.The contemporary Jingdezhen ceramic art also has some parts reflecting Buddhist themes, most of which are produced under the influence of Dunhuang Mogao Grottoes art. Among them, the murals of Guanyin Bodhisattva in Mogao Grottoes in Dunhuang are an important part for painting. This paper expounds the artistic form and humanistic spirit of Buddhist themes in ceramic decoration art.

关 键 词：陶瓷艺术 材质 移接 艺术形式 人文精神 

分 类 号：J0[艺术—艺术理论]