河南曲剧《信仰》“多元融合创新”音乐创作路径及其对高校戏曲音乐教学的启示  

THE MUSIC CREATION PATH OF“MULTIPLE INTEGRATION AND INNOVATION”OF HENAN QUJU“FAITH”AND ITS ENLIGHTENMENTTO COLLEGE OPERA MUSIC TEACHING

作　　者：刘振涛 LIU Zhen-tao(College of Music,Nanyang Normal University,Nanyang473061,China)

机构地区：[1]南阳师范学院音乐学院,河南南阳473000

出　　处：《南阳理工学院学报》2023年第1期117-121,共5页Journal of Nanyang Institute of Technology

基　　金：2022年度河南省高校人文社会科学研究一般项目(2022-ZZJH-474);南阳师范学院2022年度校级教学研究项目(2022-JXYJYB-34)。

摘　　要：河南曲剧现代戏《信仰》是一部革命题材的优秀剧目,该剧音乐设计体现了“在继承传统基础上大胆锐意创新”的创作理念。在唱腔设计除耿玉卿老师所言的五方面特点之外,该剧还有四方面突出的创新之处:以《国际歌》变化形式的主题音调贯穿全剧;豫剧、京剧锣鼓与西式军鼓的综合及大量运用;唱腔伴奏大量使用以二胡为主的民族拉弦乐器;唱腔曲牌运用大量的简化过门。以上创新因素的综合运用,使得该剧具有区别于传统曲剧的全新风格。由当下戏曲舞台反观高校教学,二者存在一定脱节现象,这要求高校教学对传统艺术的新发展予以关注和讲授。Henan Quju modern drama“Faith”is an excellent drama with revolutionary theme.The musical design of this drama reflects the creative idea of“bold innovation on the basis of inheriting tradition”.In addition to the five aspects of singing design mentioned by teacher Geng Yuqing,there are four outstanding innovations in the play:the theme tone in the changing form of the Internationale runs through the play;The comprehensive and extensive use of gongs and drums in Henan Opera,Peking Opera and Western military drum;A large number of folk stringed instruments are used for singing accompaniment.The use of singing Qu Pai has been greatly simplified.The comprehensive application of the above innovative factors makes the play have a new style different from the traditional Quju.From the present opera stage,there is a certain disconnection between the two in college teaching,which requires college teaching to pay attention to and teach the new development of traditional art.

关 键 词：河南曲剧 现代戏 信仰 戏曲教学 

分 类 号：G40[文化科学—教育学原理]