白马藏族傩文化的符号表意系统考察  

On Meaning Generating Process of Nuo Ritual of Baima Tibetan

作　　者：张淑萍[1] ZHANG Shu-ping(School of Foreign Languages,Lanzhou City University,Lanzhou 730070,China)

机构地区：[1]兰州城市学院外国语学院,甘肃兰州730070

出　　处：《兰州文理学院学报（社会科学版）》2023年第1期16-22,共7页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：教育部人文社会科学青年项目(19YJC850016)。

摘　　要：白马藏族傩文化以像似符号为主要表意媒介。其中符号与对象之间的像似程度有级差,在形象像似、图表像似和比喻像似之间游移。傩文化符号系统的各个子系统总是以形象像似、图表像似或比喻像似中的某一种为主体,在此基础上累加其他两类像似的特征。通过分析意义(meaning)的生成过程,白马藏族傩文化的意义可以分为三层,即意图意义、文本意义、解释性意义。在意图意义的注入和文本意义的形成过程中,明喻、隐喻、提喻、转喻、夸张和象征等修辞手法被大量使用,以期傩文化的各类符号文本能准确、有效地表达意图意义。就叙述方式而言,白马藏族傩文化是多层次、程式化展演系统,其静态组合、动态构成方面均具有明显的秩序性和结构规定性,其制作者力求墨守成规,传承一套约定俗成的符号系统、表达一套既定的意义集合。The Nuo culture of the Baima Tibetan takes iconic sign as the main form of expression, and it has a multi-layer but conventional structure. As to its sign system, the ritual signs of the Nuo are of iconic sign in which image, diagram sign and metaphoric sign coexist more or less. To be specific, one of the image sign, diagram sign and metaphoric sign dominates each branch of the sign systems and the other two also appear but in a subordinate way. By analyzing the generation process of meaning, the meaning of Baima Tibetan Nuo culture can be divided into three layers, namely intention meaning, text meaning and explanatory meaning. In the process of intentional meaning injection and text meaning formation, simile, metaphor, metonymy, exaggeration and symbolism are widely used, in order to accurately and effectively express the meaning of intention in various symbolic texts of Nuo culture. Meanwhile, the narrative style of the Nuo is of great importance with its varied but formulated performance system. The syntagmatic component and structure are predestinated. Its producers strive to follow the rules, inherit a set of conventional symbol system and express a set of established meaning collection.

关 键 词：像似符号 意义 修辞 叙述 

分 类 号：J01[艺术—艺术理论]