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作 者:江静 Jiang Jing(Institute of East Asian Studies,Zhejiang Gongshang University,Hangzhou 310018)
机构地区:[1]浙江工商大学东亚研究院日本研究中心,杭州310018
出 处:《浙江社会科学》2023年第3期148-155,F0003,共9页Zhejiang Social Sciences
基 金:国家社科基金重点项目“古代中日佛教外交研究”(19ASS007)的阶段性成果。
摘 要:日本保存了近千件宋元禅僧的墨迹。这些墨迹是中日禅者交流的产物,东传日本后,首先作为寺院宝物被珍藏;16世纪以后,作为日本茶人与禅僧对话的媒介,成为抹茶道文化的有机组成部分;明治维新以后,成为“数寄者”的收藏品;随着20世纪前期各类文化机构的创立,这些墨迹成为人们鉴赏与研究的对象。这一过程生动地表明:日本藏宋元禅僧墨迹既是文化交流的工具,也是文化交融的产物,并成为特定历史演进过程中社会文明进步的象征。探寻以宋元禅僧墨迹为代表的文化交流与交融之背后深藏的本质与规律,乃是我们理解与把握中日文化交流、东亚文化圈的形成,乃至人类人明史的有效进路。Nearly a thousand pieces of Zen Monks’calligraphic works during the era of Song Dynasty and Yuan Dynasty are stored in Japan,which are the products of the dialogue between Chinese and Japanese Zen monks.After spreading eastward to Japan,these calligraphic works were treasured in temples and since the 16th century they became a medium of dialogue between Japanese tea specialists and Zen monks and an integrated part of matcha culture or powdered tea culture.After Meiji reform,they became the collectibles of“sukisha”(tea ceremony lovers).As the establishment of various cultural institutions in the 20th century,these calligraphic works have become the objects of appreciation and research.This process vividly demonstrates that the calligraphic works of Song Dynasty and Yuan Dynasty stored in Japan are not only tools of communication but also the products of cultural assimilation,and they are even a symbol of the progress of social civilization during a specific period of historic evolution.To explore the profound essence and laws hidden in the cultural exchange and assimilation represented by Zen monks’calligraphic works of Song Dynasty and Yuan Dynasty is helpful for us to learn and interpret the cultural exchange between China and Japan and the formation of the east Asian culture circle,and we can even get an effective approach to the history of human civilization.
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