汉代“俳优与舞伎对舞”图像探论  

Han Dynasty’s Images of “Comedian and Dancer’s Interactive Dance”

作　　者：黄竞娴 HUANG Jing-xian(Department of Chinese,Sun Yat-sen University,Guangzhou 510275,China)

机构地区：[1]中山大学中国语言文学系,广州510275

出　　处：《北京舞蹈学院学报》2022年第6期28-36,共9页Journal of Beijing Dance Academy

基　　金：国家社科基金重大项目“中国早期戏剧史料辑录与研究”(项目编号20&ZD271)阶段性成果。

摘　　要：一般情况下,若一幅图像中同时出现了男性俳优和女性舞伎两类演员且他们展开了互动式对舞表演,则可确定为“俳优与舞伎对舞”图像。据以上标准进行辨认,可以发现今存此类图像至少七十七件,它们出土自我国八个省份、十六个地级市,年代约在西汉武帝时期至三国早期之间,以画像石、画像砖、壁画、陶楼、铜镜等为载体。这批图像为确认汉代曾上演过俳优与舞伎的对舞这样一种文献较少提及的艺术形式提供了直观的证据,对于认识该表演的兴衰、传播、性质和形态等有着重要的参考价值。Under normal circumstances, if a comedian and a female dancer appear in an image and they perform interactively, it can be identified as the image of “a comedian and dancer’s interactive dance”. Seventy-seven images that meet the above criteria were unearthed in eight provinces and sixteen cities in China, dating from the period of Emperor Wu to the early Three Kingdoms, with stone reliefs, brick reliefs, murals, pottery buildings, and bronze mirrors as carriers. These images provide intuitive evidence for the existence of an art form rarely mentioned in literature and have immense value for exploring the development, dissemination, character, and form of this performance.

关 键 词：俳优 舞伎 对舞 图像 考史价值 

分 类 号：J709[艺术—舞蹈]