论审美现代性视域中的空间话语建构  

On the Construction of Spatial Discourse in the Perspective of Aesthetic Modernity

作　　者：李健 Li Jian

机构地区：[1]南京大学艺术学院,南京210093

出　　处：《南京社会科学》2023年第1期122-130,148,共10页Nanjing Journal of Social Sciences

基　　金：国家社科基金一般项目“20世纪艺术哲学语境中的空间思想研究”(16BZX117)的阶段性成果。

摘　　要：空间话语在西方现代性进程中的衍生发展,是一个蕴含着深刻历史逻辑和一系列张力关系的建构过程。立足于审美现代性这一特定视域,其建构过程与现代艺术实践存在密不可分的内在关联,不仅历经19世纪的知觉系统重构、现代主义的抽象空间表达和后现代以观念溢出方式呈现的多元化空间形态等历史阶段;而且可以借助社会史、思想史和艺术史三重彼此印证的历史逻辑,得到跨学科综合视野的有效说明。其中蕴含的由时间与空间、精英与大众两组对应概念所构成的双重张力结构,则既是进一步揭示空间话语建构过程必不可少的考察路径,亦是对其历史生成性予以强调的应有辩证立场。这也将为我们面向本土语境反思更具现实指向性的空间议题,提供十分有益的理论启示。The development of spatial discourse in the process of Western modernity is a construction process that contains a profound historical logic and a series of tensions. Based on the specific perspective of aesthetic modernity, its construction process is inextricably linked with modern art practice. It has gone through the historical stages of the reconstruction of perceptual system in the 19th century, the abstract spatial expression of modernism and the diversified spatial forms presented by the way of conceptual overflow in the post-modern era. It can also be effectively illustrated by an interdisciplinary perspective through the triple historical logic of social history, ideological history and art history. The dual structure of tension between time and space, elite and public, is an essential path to further reveal the construction process of spatial discourse, as well as a dialectical position to emphasize its historical generation. This will also provide us with very useful theoretical insights for reflecting on more realistic spatial issues in the local context.

关 键 词：审美现代性 空间话语 历史逻辑 张力结构 

分 类 号：I01[文学—文学理论]