观看到“在场”:透过威尼斯全景画试论当代首饰的叙事手法  

From Viewing To"Presence":An Analysis of Contemporary Jewelry’s Narrative Skills Through Venetian Panoramas

作　　者：王钰涵 Wang Yuhan(School of Gemmology,China University of Geosciences,Beijing 100083,China)

机构地区：[1]中国地质大学(北京)珠宝学院,北京100083

出　　处：《艺术与设计（理论版）》2023年第2期78-81,共4页Art and Design

摘　　要：人的观看欲望促使艺术作品的诞生。观看与“在场”之间存在着互通有无的关系,在叙述和表达绘画或首饰创作者本人的意图以外,由于人的观看实现了情感的“在场”;观者的“在场”和思考重新定义了观看,赋予了作品第二次生命。文章将“在场”诠释为观看中的人真实且直接的、当下即时地对艺术作品的感知。试图透过15世纪末威尼斯全景画中对“次要的讯息”的强调来分析当代首饰中叙事手法的特点及叙事意义,为当代首饰的创作提供可借鉴性思路。The desire of viewing led to the birth of works of art.There is an interconnected relationship between viewing and"presence",whether it is painting or jewelry,in addition to expressing the creator’s intentions.The"presence"of emotion due to viewing.The"presence"and thinking of the viewer redefine viewing and renew the work.The article interprets"presence"as direct,immediate perception of the art by viewing.The conclusion is made up to analyze the characteristics and narrative significance of narrative skills in contemporary jewelry through the emphasis on"secondary messages"in Venetian panoramas at the end of the 15th century.It provides reference ideas for the creation of contemporary jewelry.

关 键 词：观看 在场 当代首饰 次要的讯息 叙事手法 

分 类 号：J504[艺术—艺术设计]