空间转向下审美体验的后现代演进  

Postmodern Evolution of Aesthetic Experience under the View of Spatial Turn

作　　者：朱丽雯 徐向阳[1] ZHU Li-wen;XU Xiang-yang(School of Humanities,Shaanxi University of Technology,Hanzhong 723001,China)

机构地区：[1]陕西理工大学人文学院,陕西汉中723001

出　　处：《西安建筑科技大学学报（社会科学版）》2023年第1期95-100,共6页Journal of Xi'an University of Architecture & Technology(Social Science Edition)

基　　金：陕西省社会科学基金项目“生态美学视阈下陕西文学批评研究”(2019J031);陕西理工大学2022年院级研究生创新基金项目“生产性批评的具体应用研究”(RWXYCX2204)。

摘　　要：西方理论话语“空间转向”的出现将空间提升至显性的地位,逐渐成为后现代文化的主要表征形式。空间的崛起颠覆了一直以时间性为主导的生存方式,人对空间的迷失感正在消逝,取而代之的是对空间的审美需求。与古代以自然空间为审美对象不同,由于人的生产性实践的介入,自然空间变成了被生产的空间,作为审美对象的意象自我演化成以视觉为基础的生产性空间。但后现代中的空间体验与古代自然空间中审美体验的契合点在于空间美感的生成要求主体性的参与。正是这种主体性的复归,才完成了空间审美体验的后现代的蜕变。The“Spatial Turn” in western theoretical discourse leads space up to the explicit position and gradually becomes the main form of representation in post-modern culture. The rise of space has subverted a lifestyle that has always been dominated by time. People’s sense of loss in space is fading, and it is replaced by an aesthetic need for space. Instead of being taken as the aesthetic objects in ancient times, the natural space has become the productive space due to the intervention of man’s productive practice, and the imagery self taken as an aesthetic object has evolved into the visual-based productive space. However, the common ground between the spatial experience in postmodernism and the aesthetic experience in ancient natural space is that the generation of spatial aesthetic feeling needs the participation of subjectivity. It is the return of subjectivity that completes the postmodern transformation of space aesthetic experience.

关 键 词：空间转向 审美需要 审美体验 后现代文化 

分 类 号：J0[艺术—艺术理论]