论高满堂影视艺术的“气象”“味”与“风骨”  

On the“Meteorology”,“Taste”and“Character”of Gao Mantang’s Film and Television Art

作　　者：张红翠[1] 李岱 Zhang Hongcui;Li Dai

机构地区：[1]大连大学文学院,辽宁大连116622

出　　处：《河南社会科学》2023年第2期108-114,共7页Henan Social Sciences

基　　金：辽宁省文联2022年度文艺评论重点立项课题“传统文论视阈下高满堂影视艺术风格研究”。

摘　　要：高满堂的影视剧创作为中国当代主旋律电影增加了亮色和底气。高满堂自觉以民族的传统精神与价值为艺术的价值追求,这种自觉使高满堂的创作,不仅有对当下文化的思考与担当,还有对中国传统艺术理想的继承与沉淀,这种沉淀使他的创作蕴蓄着深厚的中国传统艺术的境界和魅力,也使之成为当代电视剧创作的精神航标。无论是《闯关东》《老中医》还是《老酒馆》,都贯穿了高满堂的艺术创作追求和审美理想,它们共同呈现出不同凡响的艺术之高远“气象”、深厚“韵味”以及凛然“风骨”。Gao Mantang’s film and TV drama creation for the Chinese contemporary theme of the film added bright color and confidence. Gao mantang consciously pursues the national traditional spirit and value as the artistic value,which makes Gao Mantang’s creation not only reflect on and assume the present culture,but also inherit and deposit the Chinese traditional artistic ideal,this kind of precipitation makes his creation contain the profound realm and charm of Chinese traditional art,and also makes it become the spiritual navigation mark of contemporary TV drama creation. Whether it is Chuang Guandong,The Old Chinese Medicine or The Old Tavern,Gao Mantang’s artistic creation and aesthetic ideals run through,together,they present the lofty“Meteorology”,the profound“Flavor”and the awe-inspiring“Character”of the dynamite art.

关 键 词：高满堂 老酒馆 气象 味 风骨 

分 类 号：J05[艺术—艺术理论]