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作 者:周伟华 Zhou Weihua(Jiangxi Academy of Culture and Tourism,Nanchang Jiangxi,330029)
机构地区:[1]江西省文化和旅游研究院,江西南昌330029
出 处:《地方文化研究》2022年第5期64-73,共10页Local Culture Research
基 金:江西省社会科学“十四五”(2022年)基金项目“晚清民国江西城市演剧研究”(项目编号:22YS34D)阶段性研究成果。
摘 要:茶农劳作之余吟唱的采茶歌应是采茶戏的源头,从采茶歌到采茶戏,其形成演变进程大致经历了三个阶段:一是从唐到元代,采茶歌的曲调久经传唱,深受民众喜爱,成为影响深远的民间小调;二是明代,采茶歌以坐唱、载歌载舞的群体表演、祭祀歌舞的表演形式,成为娱人娱神的重要方式;三是清代,采茶歌经由元宵灯节“扮唱采茶”的巡游表演形式,最终演变成采茶戏。The tea picking song sung by tea farmers in their free time should be the origin of tea picking opera.From tea picking song to tea picking opera,its formation and evolution process roughly went through three stages:First,from Tang Dynasty to Yuan Dynasty,the tune of tea picking song had been sung for a long time and was deeply loved by the people,becoming a folk ditty with far-reaching influence;Second,in the Ming Dynasty,tea picking song became an important way to entertain people and gods in the form of group performances of sitting,singing,dancing,and sacrificial singing and dancing.Third,in the Qing Dynasty,tea picking song evolved into tea picking opera through the parade of"singing tea"on the Lantern Festival.
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