论气氛的在场与制造——以舞台美术为例  

On the Presence and Manufacture of Atmosphere——Take Stage Art as an Example

作　　者：胡南 Hu Nan

机构地区：[1]中国音乐学院 [2]中国音乐研究基地

出　　处：《艺术设计研究》2023年第1期123-128,共6页Art & Design Research

基　　金：国家社会科学基金艺术学重大项目“中国乐派研究”(项目编号:19ZD13)阶段性成果。

摘　　要：“气氛”作为重要的美学范畴,以“物”和“气”作为介质,发生在审美主体和观照对象“之间”,既强调物在场的弥漫性和不确定性,也强调人的感知将情感、对象与环境融为一体。这些特征在某种程度上与舞台美术拥有密切联系,使得舞台美术在气氛美学中有了容身之所。本文认为“物”和“气”作为舞台艺术审美空间的载体,其在场与显现过程构成了特定时空中的气氛本身。舞台艺术中的“物”是制造各种气氛的载体,并期待用个人或整体事件制造出的某种情感色调及气氛去充盈。As an important aesthetic category,"atmosphere"takes"thing"and"qi"as the medium and occurs between the aesthetic subject and the object of observation.It not only emphasizes the diffuseness and uncertainty of object presence,but also emphasizes the integration of emotion,object and environment by human perception.These featu res are closely related to the stage art to some extent,which makes the stage art have a place in the atmosphere aesthetics.This paper holds that"thing"and"qi"are the carriers of the stage art aesthetic space,and their presence and appearance process constitute the atmosphere itself in the specific time and space.The’thing’in stage art is the carrier to create various atmospheres,which are expected to be filled with certain emotional tones or atmospheres created by individual or overall events.

关 键 词：气氛美学 舞台气氛 舞美事件 在场 制造 

分 类 号：J05[艺术—艺术理论]