复调叙事与多元结构的现代杂糅——纳恩版《第十二夜》对莎士比亚原剧的电影改编  

A Modern Hybrid of Polyphonic Narration and Pluralistic Structure:On Twelfth Night Directed by Nunn Adapted from the Comedy by Shakespeare

作　　者：张雪梅[1] 潘清文 ZHANG Xuemei;PAN Qingwen(School of Foreign Languages,Chongqing Jiaotong University,Chongqing 400074,China)

机构地区：[1]重庆交通大学外国语学院,重庆400074

出　　处：《重庆邮电大学学报（社会科学版）》2023年第2期156-164,共9页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：重庆市本科高校一流外语在线课程建设与应用项目:《莎士比亚戏剧》(2021-29-14)。

摘　　要：作为“第七艺术”的电影自诞生之日起就与文学不可分离,文字触碰人性与灵魂,光影呈现世间喧嚣与静默。“复调叙事”原是巴赫金用以分析小说的文学研究术语,近年来愈来愈多的研究将其用于电影叙事学理论当中。英国导演崔佛·纳恩于1996年执导的电影《第十二夜》被誉为最优秀的莎士比亚戏剧的影视改编之一,该片充分使用复调结构中“对话性”的叙事手法,以多元的电影语言结构对莎士比亚原剧进行了意义再创造,成功探索了电影与文学之间相通的美学实质。以本片为例,戏剧文本和电影艺术原生和内在的互动关联得以印证:戏剧为电影提供了蓝本和灵感;电影藉由复调叙事和多元结构的现代杂糅,拓宽了文本的多重解读和接受视角,增强了文学作品的艺术感染力。As“the Seventh Art”,film has been closely associated with literature since its birth.Literature touches the human nature and soul,and light and image reveal the liveliness and silence of the world as well.“Polyphonic Narration”,a term Bakhtin originally coined in analysis of fiction,has been increasingly applied in film narration theory.The film Twelfth Night,directed by British director Trevor Nunn in 1996,is regarded as one of the best film and television adaptations of Shakespeare’s plays.By using the“dialogic”narrative technique of polyphonic structure,the film adopts various cinematic techniques to recreate the meaning of Shakespeare’s original play,thus brilliantly exploring the aesthetic essence of the connection between film and literature.With this film as an example,the original and inherent interaction between the literary text and film is evidently proved.While the play provides the blueprint and inspiration,the film,a modern hybrid of polyphonic narration and pluralistic structure,broadens the multiple interpretations and receptions of the text and enhances the artistic impact of the literary work.

关 键 词：崔佛·纳恩 莎士比亚 《第十二夜》 复调叙事 多元结构 

分 类 号：J905[艺术—电影电视艺术] I106.3[文学—世界文学]