欧阳予倩话剧《潘金莲》对谷崎润一郎文学的接受  

A Study of the Reception and Influence of Tanizaki Jun'ichiro's Literature on Pan Jinlian by Ouyang Yuqian

作　　者：张冲[1] Zhang Chong(Ludong University,China)

机构地区：[1]鲁东大学外国语学院

出　　处：《日语学习与研究》2023年第1期64-73,共10页Journal of Japanese Language Study and Research

基　　金：2017年度国家社会科学基金重大项目“近代以来中日文学关系研究与文献整理(1870-2000)”(项目批准号:17ZDA277)的阶段研究成果,主持人:王志松。

摘　　要：欧阳予倩的话剧《潘金莲》被誉为是“替叛逆的女性翻案”的“登峰造极之作”,其对于“力与美”的追求贯穿始终且坚决彻底,又与反封建的时代潮流符合若契,因而获得了巨大成功。通过施虐与受虐、崇拜与被崇拜的两性关系的构建和毒妇型女性形象的塑造,欧阳予倩的《潘金莲》接受了谷崎润一郎文学的唯美主义特质,对“官能美”展现了极致的崇拜。而这种重“情绪”轻主义的创作恰是欧阳予倩“真戏剧”艺术思想的体现。Pan Jinlian written by Ouyang Yuqian is considered the pinnacle work of reconviction for rebellious women.In line with the anti-feudal trend of the times,the drama pursues "strength and beauty" resolutely and thoroughly.Pan Jinlian draws on the power of Tanizaki Junichiro's literature and shows the ultimate worship of "functional beauty" through the construction of the sexual relationship between sadism and masochism,worship and worshiped gender relationship and the creation of the images of poisonous women.This creation of emphasizing "emotion" and neglecting doctrine is exactly the embodiment of Ouyan Yuqian's "real drama" artistic thought.

关 键 词：力与美 真戏剧 官能美 潘金莲 谷崎润一郎文学 

分 类 号：I207.34[文学—中国文学]