突转与发现——诗学视角分析悲剧情节建构  

Sudden Turn and Discovery——Analyzing the Construction of Tragic Plot from the Perspective of Poetics

作　　者：瞿璐 尹文涓[1] QU Lu;YIN Wenjuan(College of Arts,Capital Normal University,Beijing,100089,China)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《文化创新比较研究》2023年第3期9-12,共4页Comparative Study of Cultural Innovation

摘　　要：悲剧,是《诗学》探讨的核心,其中情节更是悲剧的关键所在。“突转”与“发现”是悲剧情节的重要手段,以此突出悲剧的人物形象和主题要旨。《俄狄浦斯王》是古代希腊悲剧的代表,《哈姆雷特》是文艺复兴时期悲剧的范本。该文通过诗学的视角分析《俄狄浦斯王》和《哈姆雷特》的情节设计,结合前人研究成果,力图反映“突转”与“发现”对于悲剧的重要作用。Tragedy is the core of Poetics,and the plot is the key of tragedy."Sudden turn"and"discovery"are important means of tragic plot,so as to highlight the tragic character image and theme.Oedipus the King is the representative of ancient Greek tragedy,and Hamlet is the model of Renaissance tragedy.This paper analyzes the plot design of Oedipus the King and Hamlet from the perspective of poetics,and tries to reflect the important role of"sudden turn"and"discovery"in tragedy combined with the previous research results.

关 键 词：突转 发现 《俄狄浦斯王》 《哈姆雷特》 悲剧 

分 类 号：I106.3[文学—世界文学]