好莱坞电影中的华裔女性形象解读——以《喜福会》和《摘金奇缘》为例  

An Interpretation of the Image of Chinese American Women in Hollywood Films--Taking The Joy Luck Club and Crazy Rich Asians as examples

作　　者：蔡永贵[1] 余星 CAI Yonggui;YU Xing(School of Foreign Languages,Jiaying University,Meizhou Guangdong 514015;Jiaying University,Meizhou Guangdong 514015)

机构地区：[1]嘉应学院外国语学院,广东梅州514015 [2]嘉应学院,广东梅州514015

出　　处：《牡丹江大学学报》2023年第4期55-60,共6页Journal of Mudanjiang University

摘　　要：改编自华裔作家关凯文同名小说的好莱坞影片《摘金奇缘》的热映让25年前的影片《喜福会》重回大众视野。《喜福会》塑造出了“套话中的华裔女性形象”和“苦难落后的中国形象”,符合西方集体无意识中积累的中国图像。《摘金奇缘》则通过展示亚裔的群像来呈现亚裔群体的客观样貌,刻画了独立自信的华裔新女性形象,打破了好莱坞电影中亚裔族群的刻板印象。华裔作家和导演从各自的经验和角度,以各自不同的风格,在主流大众媒体中重新刻画华裔形象、展现华裔历史、演绎华裔文化。The popularity of the Hollywood film Crazy Rich Asians,adapted from the novel The Joy Luck Club by Kevin Kwan,a Chinese American writer,has brought the film The Joy Luck Club released 25 years ago back to the public view.The Joy Luck Club created"the image of stereotype Chinese American women"and"the image of China in misery and backwardness",which conforms to the Chinese image accumulated in the western collective unconsciousness.However,Crazy Rich Asians breaks the stereotype of the Asian American group in Hollywood movies by depicting the independent and confident new female image of Chinese Americans.From their own experiences and perspectives,Chinese American writers and directors,with their own distinctive styles,portray the image of Chinese Americans,show the history of Chinese Americans and interpret Chinese American culture through mainstream mass media.

关 键 词：《喜福会》 《摘金奇缘》 华裔女性形象 

分 类 号：I106[文学—世界文学]