古印度唯识学视域下的中国意境说  

The Theory of Chinese Artistic Conception from the Perspective of Ancient Indian Conscicousness-only Theory

作　　者：黄家庭 HUANG Jiating(School of Culture and Media,West Anhui University,Lu’an 237012,China)

机构地区：[1]皖西学院文化与传媒学院,安徽六安237012

出　　处：《浙江海洋大学学报（人文科学版）》2023年第1期50-56,共7页Journal of Zhejiang Ocean University(Humanities Sciences)

基　　金：皖西学院高层次人才科研启动资金项目“唯识学视域下的意象与意境研究”(编号:WGKQ2021087)。

摘　　要：古印度唯识学的识境论把外境纳入到心识的缘起构成之中来加以讨论,这样就取消了境的实在性,在心识的显现之中,境成其自身,从而避免了主客二分的理论困境。从这一理路来看,中国的意境说正是一个由识之心源所开辟的、境之造化所引发的缘起境域,识与境的冥合体现为情与景的交融,展现为一个不断生成着的、充满生命张力的诗意空间。The consciousness-object theory of the ancient Indian consciousness theory is to be discussed by bringing the external context into the origin and composition of the mental consciousness,which cancels the reality of the external context.In the appearance of mental consciousness,the external context comes to be of its own,thus avoiding the theoretical dilemma of the dichotomy of subject and object.From this point of view,the Chinese artistic conception is the very circumstance of the origin opened up by the mind origin of consciousness and triggered by the creation of circumstance.The deep combination of consciousness and circumstance is reflected in the mingling of affection and scenery,which reveals a poetic space constantly being generated and filled with the tension of life.

关 键 词：唯识学 识境论 意境 唯识美学 

分 类 号：B351[哲学宗教—外国哲学]