论本雅明城市研究中的女性意象  

On the Female Image in Walter Benjamin’s Urban Studies

作　　者：黄璐 Huang Lu(School of Digital Media and Humanities at Hunan University of Technology and Business,Changsha 410205,Hunan Province,China)

机构地区：[1]湖南工商大学数字传媒与人文学院,湖南省长沙市410205

出　　处：《文艺理论研究》2023年第1期97-106,共10页Theoretical Studies in Literature and Art

基　　金：国家社科基金青年项目“尼采修辞学及其文化隐喻研究”[项目编号:22CZW007]的阶段性成果。

摘　　要：本雅明的城市研究中潜藏着对于女性意象细腻而缜密的勾勒。女性意象作为辩证意象的代表,以暧昧性继承了讽喻系统对二元对立的拒斥。本文试图从本雅明城市研究中的女性意象这一辩证视角出发,分析他对感官问题、技术问题的考量。在其笔下,复魅式的女性氛围环绕着凝视、轻抚、气息等生命经验,这使得女性意象在与动物意象的混合中关联于视觉、听觉、触觉、嗅觉等官能。不同感官之间的互动中蕴涵着对自然的肯定,这一方面能够有效地抵御景观社会中的视觉专制,另一方面助益于以新视角理解“光晕”这一概念。女性意象的辩证视角还指向感官与技术之间的内在关联。技术不仅作为革命能量施展对于自然的呼应以及变形,而且以一种“温暖的经验主义”展开对生命体验的反思与矫正。Walter Benjamin’s urban studies contain exquisite and comprehensive depictions of the female image. As a representative of dialectical images, the female figure, thanks to its ambivalence, demonstrates the rejection of dualism underlining the system of irony. This article analyzes Benjamin’s thinking on the questions of sense and technology from the dialectical perspective of the female image in his urban studies. In Benjamin’s writings, the re-enchanting feminine atmosphere engages such life experiences as gazing, caressing, and breathing, which allows the image of female mixed with that of animals to be connected to the senses of sight, hearing, touch and smell. The interactions between senses lead to the affirmation of nature, which, on the one hand, effectively resists the visual despotism in the society of the spectacle, and, on the other hand, facilitates a new understanding of the concept of “aura.” The female image also unveils the inner connections between sense and technology. Technology not only responds to and transforms nature with its revolutionary energy, but also uses “warm empiricism” to reflect upon and correct the experience of life.

关 键 词：本雅明 女性意象 自然 光晕 感官 技术 

分 类 号：I0[文学—文学理论]