贵州民间美术在当代生活方式中的应用与传承  

The Application and Inheritance of Guizhou Folk Art in Contemporary Life Style

作　　者：胡婷[1] 袁洪业[2] 吴敏 HU Ting;YUAN Hong-ye;WU Min(Guizhou Institute of Technology,Guiyang 550000,China;Guizhou Minzu University,Guiyang 550000,China;Tongren Preschool Education College,Tongren 554309,China)

机构地区：[1]贵州理工学院,贵州贵阳550000 [2]贵州民族大学,贵州贵阳550000 [3]铜仁幼儿师范高等专科学校,贵州铜仁554309

出　　处：《绿色包装》2023年第3期152-155,共4页Green Packaging

摘　　要：贵州民间美术因为其地理条件的封闭性,受外界干扰小,少数民族文化和工艺保存较好,保留了本民族独有的审美情趣、制作技艺以及人文历史,具有极强的装饰性、工艺性和文化性,成为具有民族特色的文化艺术形式。然而,贵州民间美术在和当代时尚生活碰撞时,偶尔会显得格格不入,危险与机遇并存。经济发展和生活水平的提高,使得人们对生活中各项商品的外观有了更高的要求。本文旨在强调古为今用,为贵州民间美术的传承与应用探索一条有效的路径,让贵州民间艺术回归现代生活。Because of its closed geographical conditions,Guizhou folk art is less disturbed by the outside world,and the ethnic minority culture and craft are well preserved.It retains the unique aesthetic taste,production skills and cultural history of the nation,and has a strong decorative,technological and cultural nature,and has become a cultural and artistic form with national characteristics.However,when Guizhou folk art collides with contemporary fashion life,it occasionally seems incompatible,and danger and opportunities coexist.With the economic development and the improvement of living standards,people’s have higher requirements for the appearance of various goods in contemporary life.This paper aims to emphasize the use of the past for the present,to explore an effective path for the inheritance and application of Guizhou folk art,and to make Guizhou folk art return to modern life.

关 键 词：贵州民间美术 当代生活方式 传承与应用 

分 类 号：J0[艺术—艺术理论] J528