宋代闺怨仕女图中水意象的诗性隐喻与隐性叙事  

Poetic Metaphor and Implicit Narration of Water Imagery in Female Paintings of the Song Dynasty

作　　者：王宗英[1] WANG Zongying(College of art,Nanjing University of Aeronautics and Astronautics,Nanjing,Jiangsu 210016,China)

机构地区：[1]南京航空航天大学艺术学院,江苏南京210016

出　　处：《南京航空航天大学学报（社会科学版）》2023年第2期102-107,共6页Journal of Nanjing University of Aeronautics & Astronautics（Social Sciences）

基　　金：江苏省社会科学基金项目(19YSD007);文化和旅游部文化艺术研究项目(2022DF014)。

摘　　要：文学与绘画的某些门类在发展的过程中,更容易形成跨媒介的钩联与融通。宋代闺怨仕女画与诗词的同意象互文互构,既是长期以来文学对绘画的强势影响所致,也是宋代细腻婉约的时代文艺风格使然。本文以《绣栊晓镜图》和《妆靓仕女图》为例,以画中的水意象为切入点,挖掘宋代闺怨仕女图中水意象牵引下的诗性隐喻与隐性叙事,探索宋代仕女画中隐含的时代文艺精神。In the process of development,some categories of literature and painting are more likely to form cross-media connection and integration.The mutual construction of female paintings and poems in Song Dynasty is not only caused by the strong influence of literature on painting for a long time,but also caused by the delicate and graceful literary style of the times in Song Dynasty.This paper takes the picture of Embroidered Dawn Mirror and the picture of Beautiful Ladies as examples,takes the water imagery in the picture as the starting point,excavates the poetic metaphor and implicit narration under the traction of the water imagery in the female paintings,and explores the literary and artistic spirit of the times implied in female paintings of Song Dynasty.

关 键 词：水意象 闺怨仕女画 诗性隐喻 隐性叙事 跨媒介 

分 类 号：J205[艺术—美术]