耆那教“祖师入胎梦”图像初探——以表现手法和构图方式为重心  

A Primary Study on the Images of Pregnancy Dreams about Tīrtha n.karas in Jainism--Focus on the Techniques of Expression and the Modes of Composition

作　　者：王萱 WANG Xuan(Center for Studies of Eastern Literatures,Peking University,Beijing 100871,China)

机构地区：[1]北京大学东方文学研究中心,北京100871

出　　处：《宝鸡文理学院学报（社会科学版）》2023年第2期20-27,共8页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：国家社会科学基金重大项目:古代东方文学插图本史料集成及其研究(项目编号:16ZDA199)。

摘　　要：“祖师入胎梦”是预示耆那教祖师降生的吉祥梦境,根据白衣派的说法,共有14个,天衣派则认为共有16个。由于显见的宗教意义和丰富的内容要素,“祖师入胎梦”一直是耆那教绘画艺术的核心主题之一,在现存的该主题图像材料中,出自《劫波经》抄本的“祖师入胎梦”插图占据了绝大部分,具有重要的研究价值。本文旨在对“祖师入胎梦”系列图像进行初步的探析,将重点围绕图像的表现手法和构图方式展开。The pregnancy dreams about Tīrtha n.karas are auspicious dreams that herald the birth of a Jain Tīrthankara.According to Svetāmbara,there are fourteen dreams totally,but Digambara thought the number should be sixteen.Because of the obvious religious significance and rich content elements,the pregnancy dreams about Tīrthankaras have always been one of the core themes of Jain painting art.Among the existing image materials,the most part is the illustrations from Kalpasūtra,which have an important research value.This paper is a primary study on the images of the pregnancy dreams about Tīrtha n.karas,and focus on the techniques of expression and the modes of composition.

关 键 词：耆那教 入胎梦 祖师 图像 

分 类 号：B94[哲学宗教—宗教学]