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作 者:张晶[1] Zhang Jing(School of Humanities,Communication University of China,Beijing 100024,China)
出 处:《北京大学学报(哲学社会科学版)》2023年第2期32-41,共10页Journal of Peking University(Philosophy and Social Sciences)
基 金:国家社会科学基金重点项目“中华美学精神的诗学基因研究”(项目编号:19AZW001)阶段性成果。
摘 要:媒介不仅以其物质属性保障了艺术的物性存在,而且也是艺术家长期的对媒介的训练而形成的内在能力与感觉,是艺术家主动探索世界、感知世界、把握世界的方式与动力。媒介本身有着常识所认同的物质属性,而媒介能力则属于艺术家的主体能力,诗人感知世界凭借诗人的媒介能力。构思与意象是诗人面对的最基本问题。关于诗的艺术构思和意象,需要从媒介的角度探讨构思和意象是如何产生的,诗人是如何把外在物像加工成意象的问题。Media not only guarantee the physical existence of art with their material properties,but also constitute the inner ability and feeling formed by an artist's long-term training on media,and forms the way and motivation for the artist to actively explore,perceive and grasp the world.Media themselves have the material attributes recognized by common sense,while their competence belongs to the artist's subjective competence.And how poets perceive the world relies on their media competence.Conception and imagery are the most basic issues faced by poets.Regarding the artistic conception and imagery of poems,this paper discusses how conception and imagery are generated from the perspective of media,and how poets process external images into imagery.
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