中国文学界的西西弗斯和苏格拉底--史铁生新论  

Sisyphus and Socrates in Chinese Literature--A New Comment on Shi Tiesheng

作　　者：张春晓[1] ZHANG Chun-xiao(Hebei Hengshui Middle School,Hengshui Hebei,053000)

机构地区：[1]河北衡水中学,河北衡水053000

出　　处：《高校社科动态》2023年第1期30-33,共4页Social Sciences Perspectives in Higher Education

摘　　要：双腿瘫痪是史铁生命运的一个拐点,这个拐点也造就了其作品风格的转变:从描写外在转变为思考自身,从对生活的深深留恋转变为对命运的苦苦思索,并因而成为了中国文学界的西西弗斯和苏格拉底。说他是西西弗斯,是因为他承担了上帝的不公平待遇一身患残疾。说他是苏格拉底,是因为他没有屈从命运,而是进行了积极的抗争,并在抗争中进行了思考,但由于他的思考还没有上升到对人类命运整体性与普遍性的关照,因而距真正的苏格拉底还有一定的距离。Paralysis of legs is not only an inflection point of Shi Tiesheng's fate,but also of his writing style.His works have changed from describing the outside world to re-flecting on himself and from longing for life to speculating individual fate.This is the rea-son that he is crowned as Sisyphus and Socrates in Chinese Literature.He is considered as Sisyphus because he bears God's unfair treatment-suffering from disability,and as Socrates because he struggled actively against his fate and contemplated from it instead of yielding to destiny.As his philosophy failed to cover the integration and universality of human destiny,however,there is a gap between him and Socrates.

关 键 词：史铁生 西西弗斯 苏格拉底 《我的遥远的清平湾》 《命若琴弦》 《务虚笔记》 《我与地坛》 

分 类 号：I20[文学—中国文学]