浅谈中国传统文人画中的留白对现代陶瓷装饰的启示  

Talking About the Enlightenment of White Space in Traditional Chinese Literati Paintings to Modern Ceramic Decoration

作　　者：郎璠 叶昵蘋 Lang Fan;Ye Niping(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2023年第5期12-13,33,共3页Ceramics

摘　　要：笔者从现代陶瓷装饰的现状着手,认为陶瓷装饰可以更加传统并艺术化,且认为在中国传统文人画中提取元素为良策,恰好文人画中的留白蕴藏着中国传统文化特有的“文化密码”。笔者从“文人画”中的留白具有的哲学思想的分析以及举例其在画作中的不同应用出发,浅谈了文人画中的留白对于现代陶瓷装饰的启示。This paper starts from the current situation of modern ceramic decoration,and thinks that ceramic decoration can be more traditional and artistic.It is also believed that extracting elements from traditional Chinese painting is a good idea,and the whiteness in painting of man-of-letters contains the unique Cultural Codeof Chinese traditional culture.Based on the analysis of the philosophy of the whiteness in the Man Paintingand the different applications in the painting,the article talks about the enlightenment of the white left in the painting of the text to the modern ceramic decoration.

关 键 词：文人画 留白 陶瓷装饰 

分 类 号：TQ174.74[化学工程—陶瓷工业]