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作 者:王广州 WANG Guangzhou(School of Humanities,Anqing Normal University,Anqing 246011,China;Research Center for Aesthetics and Literary Criticism,Anqing Normal University,Anqing 246011,China)
机构地区:[1]安庆师范大学人文学院,安徽安庆246011 [2]安庆师范大学美学与文艺评论研究中心,安徽安庆246011
出 处:《江苏海洋大学学报(人文社会科学版)》2023年第3期72-79,共8页Journal of Jiangsu Ocean University(Humanities & Social Sciences Edition)
基 金:安徽省高校省级教学质量工程教学研究项目(2020jyxm1107)。
摘 要:《文心雕龙·章句》篇是刘勰“文变”思想在创作论领域的有机组成与微观体现,同时也与《通变》《时序》等篇中的观点“互相发明”,形成同主题的变奏。《章句》篇中“情数运周,随时代用矣”一句既是刘勰对诗句构成字数这一具体问题的历史总结,也可以视为刘勰对文学总体发展演变规律的刻画。然而,对“情数运周”的各种既有释译,无论在方法路径上还是在具体意义上都互有出入。结合刘勰所讨论的具体对象与其他篇目中“文律运周”“情变之数”等互文性用例,可知“情数运周”不是并列结构而是主谓结构,“情数”不是偏义复词,而是实意词组,它也不是并列或主谓结构,而是偏正结构;同时亦可知“情”是“情况”之意,“数”是“规律”之意。The chapter Paragraphs and Sentences of The Literary Mind and the Carving of Dragons is the organic composition and micro-embodiment of Liu Xie’s thought about the“changes of literature”in the field of literary theory of creation,and at the same time,it indicates the views of“mutual invention”in the chapters Changes and Times,and forms variations of the same theme.The sentence“Qingshu Yunzhou”in the chapter Paragraph and Sentence is not only Liu Xie’s historical summary of the specific problem of the composition of the number of sentences in poetry,but also Liu Xie’s characterization of the overall development and evolution of literature.However,there are many differences in the past interpretations of“Qingshu Yunzhou”,both in the method and in the specific meaning.By combining the specific objects discussed by Liu Xie and the intertextual cases in other chapters,it is known that“Qingshu Yunzhou”is not a phrase of parallel structure but of subject-predicate,the structure of“Qingshu”is neither parallel nor subject-predicate one,but partial-central one.At the same time,it is also known that“Qing”means“situation”and“Shu”means“law”.
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