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作 者:刘爱华[1] LIU Aihua
机构地区:[1]江西师范大学非物质文化遗产研究中心,江西南昌330022
出 处:《民俗研究》2023年第3期47-55,158,共10页Folklore Studies
基 金:国家社科基金重大项目“20世纪中国民间文学研究专门史”(项目编号:16ZDA164)的阶段性成果。
摘 要:随着互联网技术发展,民间文艺发生急剧变迁,在“裹挟”下不断前行。源于民间文艺的包容性,它在自我哺育过程中也不断反哺精英文艺及通俗文艺。当然,从严格意义上来说,“人民文艺”的这三种形态日益渗透融合,彼此关联更为紧密,处于融通互哺状态。因此,应对生成语境的重构,民间文艺可从坚持“人民性”导向,融入国家重大战略,以及积极参与跨界融合等三个方面做出努力,遵循其发展的内在逻辑,推动文艺形态交融互鉴,以适应时代发展需求。With the development of the internet technology,the ecology of folk literature and art has undergone drastic changes and is constantly moving forward under the"coaxing".Due to the inclusiveness of folk literature and art,it also feeds elite literature and art,popular literature and art in the process of self-feeding.Of course,in a strict sense,the three forms of people's literature and art are increasingly infiltrated and integrated,more closely related to each other,and in a state of integration and mutual feeding.Therefore,to cope with the reconstruction of generative context,efforts should be made from three aspects:adhering to the"peopleoriented"orientation,integrating into the major national strategies,and actively participating in cross-border integration,following the internal logic of its development,and promoting the integration and mutual learning of literary and artistic forms to meet the needs of the development of the times.
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